IMPACT Printmaking Journal

Current Issue

Vol. 2 (2024)
Published 3 January 2024
Impact 12 Proceedings // Panel Sessions and Reflective papers

Dear Printmakers and Artists,

Welcome to the second volume of an extraordinary range of articles from the panel sessions and reflective presentations. The subjects reflect on many of the themes of the conference: the post-pandemic voice, community and collaboration, histories of print and experimental printing techniques. These papers take us far and wide, crossing boundaries and even to the moon and back.

We hope you find them thought-provoking and stimulating. We always like to receive feedback, so please do get in touch at impact.journal@uwe.ac.uk 

Please also note we have also just published Issue 7  If you have missed Volume 1 and Academic Papers or need to access any of the archives, follow the links here. There is also a search function for searching by keyword, author or title. 

Last but not least, we regularly share research updates and print activities and opportunities via Instagram for CFPR_Research and CFPR_Editions

 

Our warmest wishes for a productive and creative 2024
Carinna Parraman, Zie Smith, and all at the CFPR

Articles

Carl Middleton
15
United in Isolation : An Online Letterpress Festival
https://doi.org/10.54632/524.IMPJ9
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Clare Humphries, Renée Ugazio
17
Practice Beyond Boundaries
https://doi.org/10.54632/524.IMPJ14
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Sarah Robinson, Monika Lukowska
9
TRANSMEDIAL: Tracking the Intersections Between Print, Technology and Science
https://doi.org/10.54632/524.IMPJ1
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Raquel Serrano Tafalla
12
Towards an Experimental Creation of the Printed Image for an Active Reception
https://doi.org/10.54632/524.IMPJ8
Read the Full Article
Elizabeth Lloyd
12
REDDER.COM
https://doi.org/10.54632/524.IMPJ12
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Laura Onions, Simon Harris
15
Printmaking Communities at the Edge of Chaos
https://doi.org/10.54632/524.IMPJ4
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Ian Chamberlain
10
The Synthetic Landscape
https://doi.org/10.54632/524.IMPJ10
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Killian Dunne
9
The Middle Kingdom
https://doi.org/10.54632/524.IMPJ15
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Raluca Iancu
10
#PandemicFridge: Collaboration at a Distance
https://doi.org/10.54632/524.IMPJ5
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John Phillips
9
The Museum of Unrest: An Invitation to Join a Conversation
https://doi.org/10.54632/524.IMPJ7
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Salla Myllylä, Laura Vainikka
13
Claude Chamber: A Printmaking/Moving Image Collaboration Inspired by an Eighteenth-Century Viewfinder
https://doi.org/10.54632/524.IMPJ13
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Giulia Leonelli
10
Prints in Rhythm
https://doi.org/10.54632/524.IMPJ3
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Marta Bełkot
10
Displacement: Paper and Enamel Within a Print Based Practice
https://doi.org/10.54632/524.IMPJ6
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Katy Drake
11
Why Print Was an Excellent Conceptual Vehicle for my Project ‘Speak Up’
https://doi.org/10.54632/524.IMPJ11
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Andrew Baldwin
9
The B.I.G. Journey : The Evolution of a Non-toxic Printmaking Process
https://doi.org/10.54632/524.IMPJ2
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IMPACT Printmaking Journal     ISSN 2732-5490   

 

IMPACT stands for ‘International Multi-disciplinary Printmaking: Artists, Concepts and Techniques'. 

The Journal supports the IMPACT Printmaking Conference, which is run every other year. The most recent IMPACT 12 conference was hosted online and in person in September 2022 in Bristol, UK, sharing new and traditional methods and technologies, exploring the historical and contemporary and the future of print. 

The IMPACT Printmaking Journal is an open-access peer-reviewed academic publication. There is no fee to submit and no fee to read the articles. All articles published from Autumn 2020 onwards are published under a creative commons licence CC BY 4.0. For more information on this licence please see here 

IMPACT Printmaking Journal supports scholarly and critical debate in the field of print: advancing technological knowledge, contextualizing print, talking about the poetry and language of print, and maintaining a showcase for print practitioners. 

Novel contributions from academics, scientists, writers, philosophers, students, graduates and independent artists alike are warmly welcomed. All contributions will be peer-reviewed by a panel of peer-reviewers. ​

The journal is published twice a year.