IMPACT Printmaking Journal

Current Issue

Vol. 4 (2024)
Published 24 July 2024
Impact 12 Proceedings // Panel Sessions and Reflective papers

Hello to all printmakers,

Welcome to the 4th volume of presentations from the IMPACT conference in Bristol 2022.

We have now published 72 presentations as papers, each proofread and beautifully typeset. Each paper includes a gallery of images at the end, as well as key words, a DOI number, summary, references, and download data for those interested in tracking the article's readership.

We hope you find some time over the summer break to read and reflect on this latest collection of papers. We always appreciate updates, so please get in touch at impact.journal@uwe.ac.uk. If you have missed any papers need to access any of the archives, follow the links here. Additionally, there is also a search function for searching by keyword, author or title. 

Lastly, we regularly share research updates and print activities and opportunities via Instagram for CFPR_Research and CFPR_Editions

A big thank you to all who have undertaken this enormous task, and special thanks to Verity Winslow.

We are looking forward to seeing you again soon.

Carinna Parraman
Editor and Chair of IMPACT

Articles

Eliana Ambrosio
11
Devaneios
https://doi.org/10.54632/1507.IMPJ13
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Kathryn Poole
10
Grave / Grebh / Græf
https://doi.org/10.54632/1507.IMPJ18
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Sandra De Rycker
11
The Semiotic Situation: Situating Collaboration with Rae-Yen Song at Dundee Contemporary Arts Print Studio
https://doi.org/10.54632/1507.IMPJ02
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Sara Bowen
12
Theme: Memory, Repair, and Creative Recovery
https://doi.org/10.54632/1507.IMPJ06
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Outi Koivisto
10
Olhava as Seen from the Map of Volkhov: Language, Place, and Psychogeography in Artistic Research
https://doi.org/10.54632/1507.IMPJ11
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Caroline Gagnon
9
Deconstructing the Printing Process: : Image as Material, Time, and Space
https://doi.org/10.54632/1507.IMPJ16
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Veronica Noriega Esquives
8
Impression / Expression
https://doi.org/10.54632/1507.IMPJ04
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Matthew Newkirk
12
Print Culture and The Spectacle 2.0 : A Post-Pandemic Voice
https://doi.org/10.54632/1507.IMPJ09
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Caroline Areskog Jones
9
Touching Visions: Speculative Imaginaries
https://doi.org/10.54632/1507.IMPJ14
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Paula Smithson
8
The Dark Side of Printmaking
https://doi.org/10.54632/1507.IMPJ19
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Sally Clegg
7
The Messiness is the Message
https://doi.org/10.54632/1507.IMPJ01
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Oliver Hambsch
11
Print, Body, and Memory: Haptic Engagement with Large-Scale Prints
https://doi.org/10.54632/1507.IMPJ07
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Rita Marhaug
11
Print in Real Time 2019-24
https://doi.org/10.54632/1507.IMPJ12
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Maite Pinto
10
Reflective Paper
https://doi.org/10.54632/1507.IMPJ17
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Carol Wyss
9
Making No Bones About It
https://doi.org/10.54632/1507.IMPJ05
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Laura Bortoloni
13
Print No Border : Questioning the Nature of Boundaries Via Printmaking Practice
https://doi.org/10.54632/1507.IMPJ10
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Killian Dunne
9
Concurrently Simultaneously
https://doi.org/10.54632/1507.IMPJ15
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Elba Ireri Topete Camacho
12
Termómetros - Visual Registration of Nature and its Changes: Fusion and Technical Variations of the Estampa for the Production of Artists’ Books
https://doi.org/10.54632/1507.IMPJ20
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Cynthia Lollis
12
ETC Press: Two Decades of Transatlantic Collaboration
https://doi.org/10.54632/1507.IMPJ03
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Heather Leier
10
Enacting Parts
https://doi.org/10.54632/1507.IMPJ08
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IMPACT Printmaking Journal     ISSN 2732-5490   

 

IMPACT stands for ‘International Multi-disciplinary Printmaking: Artists, Concepts and Techniques'. 

The Journal supports the IMPACT Printmaking Conference, which is run every other year. The most recent IMPACT 12 conference was hosted online and in person in September 2022 in Bristol, UK, sharing new and traditional methods and technologies, exploring the historical and contemporary and the future of print. 

The IMPACT Printmaking Journal is an open-access peer-reviewed academic publication. There is no fee to submit and no fee to read the articles. All articles published from Autumn 2020 onwards are published under a creative commons licence CC BY 4.0. For more information on this licence please see here 

IMPACT Printmaking Journal supports scholarly and critical debate in the field of print: advancing technological knowledge, contextualizing print, talking about the poetry and language of print, and maintaining a showcase for print practitioners. 

Novel contributions from academics, scientists, writers, philosophers, students, graduates and independent artists alike are warmly welcomed. All contributions will be peer-reviewed by a panel of peer-reviewers. ​

The journal is published twice a year.