Abstract
Radical Beauty, a first ever show of Helen Frankenthaler’s woodcuts at Dulwich Picture Gallery in the United Kingdom, provides a great insight into this American painter’s approach to woodcut printmaking. Throughout her career Frankenthaler returned to woodcuts as an alternative to the freeform soak ‘n stain painting technique she initiated, that later evolved into Colour Field Abstraction. The remarkable ‘painterliness’ of these woodcut works, involving a jigsaw technique and the plywood medium, draws parallels with Norwegian modernist Edvard Munch’s. Frankenthaler’s radical innovations challenged traditions of the woodcut medium while enabling a new generation of printmakers to go still further. As the author demonstrates, Helen Frankenthaler was a painter who changed the face of printmaking forever.
References
Helen Frankenthaler: Radical Beauty (Dulwich Art Gallery, 2021) ISBN 9781898519454, p. 10
Kathan Brown, Painters and Sculptors at Crown Point Press, (San Francisco; Chronicle Books, 1996) p.186
Ibid, p. 187
Griselda Pollock in conversation with Alison Rowley in Jonathan Harris, ed., Critical Perspectives on Contemporary Painting; Hybridity, Hegemony, Historicism (Liverpool University Pres + Tate Liverpool, 2003), pp. 57-58.
Ibid
Helen Frankenthaler, Print Collector’s Newsletter, July/August 1977, p. 66.
Riva Castleman, Prints of the Twentieth Century; A History, (London: Thames & Hudson, 1988), p. 138.
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Copyright (c) 2022 John K Grande