How to Cite
Abstract
I Can Still Hear You is a series of etchings on copper made during 2018/19 by Michelle Keegan, Senior Lecturer in Printmaking at the University of Northampton. Her creative process is centred on the Sound Mirrors located in Denge on Romney Marsh in Kent. These are giant concrete structures hidden in a desolate and austere landscape that were the precursors to the birth of radar. Keegan examines her relationship with place and being permanently in transit. Keegan writes of her relationship with etching, and gives us an insight into the spontaneity of her approach to printmaking. The work explores conversations of loss and a remapping of space.
References
Chambers, E. (2016) Paul Nash: Tate Publishing.
Eddison, J. (2009) Romney Marsh Survival on a Frontier: The History Press.
Haycock, D B. (2009) A Crisis of Brilliance, Five Young British Artists and the Great War: Old Street Publishing.
Ingoldsby, T. (1874) Ingoldsby Legends: Richard Bentley and Son.
This work is licensed under a Creative Commons Attribution 4.0 International License.
Copyright (c) 2020 Michelle Keegan