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Abstract
In this body of work, presented for my MA show at Royal College of Art, I question dominant hierarchies of categorization which can restrict freedom of thought – nudging away from stasis and entrapment, away from fixed memory. I explore material matter and its transformative potential as a way to fresh perspectives, towards a different dialogue.
Possibilities.
To shift the narrative sideways, to move between parallel lines.
References
Areskog. C. (1941) Om Öland, Carlsson Bokförlag
Gordon. A. (2008) Ghostly Matters, Haunting and the Sociological Imagination, Minnesota Press.
Hitchcock. A. (1958) Vertigo, Paramount Pictures
Stout. K. (2014) Drawing as a flexible tool in a post-digital age, Drawing Room Biennial Publication, p.1.
O’Sullivan, S. (2018) Fictioning the Landscape, Journal of Aesthetics and Phenomenology.
This work is licensed under a Creative Commons Attribution 4.0 International License.
Copyright (c) 2020 Caroline Areskog Jones