Abstract
While exploring the terrain of prehistoric sites in the Czech Republic, Adrienne Momi conceived of a project to recreate the sensations and conditions of ritualistic art-making. The project took the form of a collaborative site-specific response to the
land using hand-made paper and printmaking in the field by the author and four colleagues. The project sought to reactivate archaeological sites and to create a haptic understanding of pre-literate society, and hoped to reveal mysteries of the place which might not be revealed through traditional approaches to scholarship.
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