A Convergence of Colour

Abstract

Colour is everything! But achieving an edition of multi-coloured prints requires a lot of work and takes a very long time for a printmaker. For almost 40 years, I have concentrated on the colour reduction woodcut and have been enamoured with the blended or split-fountain roll. Although I was not the first printmaker to use this technique, I have expanded the colour possibilities by exploring mylar stencils and transparent layering.