Finding the Sublime
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Keywords

Trees
Eco-systems
Environment

How to Cite

Hamilton , F. . (2024). Finding the Sublime. IMPACT Printmaking Journal, (7), 14. https://doi.org/10.54632/12.7.IMPJ7

Abstract

My intention for this body of work was to evoke the concept of the sublime to make us consider our place in relation to the natural world and the importance of mature mother trees in healthy ecosystems. The use of dark colours and warm tones, along with layering and highly detailed mark-making, give an ethereal and occasionally slightly unnerving sense. The use of chine collé with Japanese tissues can give a faintly shiny or almost glowing effect, along with the use of earth tones and metallic pigments to enhance and add depth

https://doi.org/10.54632/12.7.IMPJ7
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References

Brady, E. (2013) The Sublime in Modern Philosophy : Aesthetics, Ethics, and Nature [online]. New York: Cambridge University Press. Available from: https://doiorg.ezproxy.uwe.ac.uk/10.1017/CBO9781139018098 [Accessed 04 January 2023].

Macfarlane, R. (2019) Underland [online]. London: Penguin. Available from: https://r2.vlereader.com/EpubReader?ean=1780241146422 [Accessed 09 January 2023].

Sheldrake, M. (2020) Entangled Life [online]. London: Vintage Digital. Available from: https://www.vlebooks.com/Product/Index/2162050?page=0 [Accessed: 09 January 2023].

Simard, S. (2021) Finding the Mother Tree. London: Penguin Random House.

Soma Gallery (2023) Soma Gallery [online]. Available from https://www. somagallery.co.uk/. [Accessed: 01 November 2023].

The Mother Tree Project (2023) The Mother Tree Project [online]. Available from: https://mothertreeproject.org/ [Accessed 09 January 2023].

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

Copyright (c) 2024 Fiona Hamilton

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